Hotline Boundary Flash

Hotline Boundary Flash

Mateo Paredes
📍Mexico City
Born in Monterrey, raised between São Paulo and Mexico City, Mateo Paredes maps the city’s bones through sculpture.
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Description
I don’t do subtle. Venice walks out? Good. This wall relief makes sure you can’t walk past. Three smashed panels—each edge arguing with the next. That’s not nostalgia, it’s just how curbs feel under your hand when you’re looking for shelter that isn’t a showroom. The reflective road glass? Street leftovers—stolen from traffic lines, now they spike out of the terrazzo like a hazard warning. Sunlight hits and the seams flash, so you can’t ignore where the city stitches you in and fences you out. The barricade chunk is blunt: orange, heavy, ugly. It doesn’t care about your living room. There’s a spill of tactile paving, too—try stepping over that and staying comfortable. You want soft? Pay the permit fees. I give you a border you can’t tidy up. This thing cost me my last clean shirt and a few fingerprints. Civic code says ‘line of sight unobstructed.’ I say: here’s your obstruction.